Heyas!
So I've had 2 days to catch up on rest (and meals) since Otakon 2013 came to an end, so I figure it's time to put up my last Otakon journal for the year. Sunday at Otakon was a shorter day, made even shorter by certain travel concerns so this wont be a very long journal. *Edit* well the movie review made it long, my apologies
As I mentioned in the previous journal I spent my morning browsing the dealer's room for overlooked prizes. Tbh, I was mostly just looking to see what was new, popular, and interesting looking to check out online later. I was also hoping to pick up either a new anime themed bag or mat as I could use both, but I didn't see a design that particularly interested me. I did come away with a Deadman Wonderland wall scroll (this one here:
www.rightstuf.com/1-800-338-68… ), as I always try to come away with at least one. It joins Trigun, Cowboy Bebop, Full Metal Alchemist, GTO, Bleach, and Rurouni Kenshin in my room. And that last item segues me into the final part of Otakon 2013...
For the final two hours of the con I squeezed myself into a crowded video room to watch... Rurouni Kenshin! The live action movie produced last year in Japan was introduced by Kurosaki Kaoru, Watsuki Nobuhiro's wife who apparently had some input in the production of this movie. Actually, I missed the introduction as I arrived shortly after the title (Was trying to get every last minute possible in the dealer's room before I took off).
I should say that I am generally VERY skeptical of anime-to-live-action adaptations (or anything-to-live-action for that matter), however I LOVED Kenshin (Manga, and first half of the anime + movies) when I watched it years ago, and loved it when I rewatched it last year as well so I couldn't miss this. I wasn't disappointed.
Without going into TOO much detail this movie is likely the best live action adaptation I've seen, and should be able to stand on its own as a samurai drama. The characters were brilliantly portrayed by their actors, particularly Himura Kenshin (Satoh Takeru), Udou Jin-e (Kikkawa Koji), Takani Megumi (Aoi Yu), and even little Myojin Yahiko (Tanaka Taketo), and the cast was generally brilliant across the board from Sagara Sanosuke's boisterous bravado to Takeda Kanryu's avaricious scheming. The story generally spans the early portion of Rurouni Kenshin from meeting Kamiya Kaoru, saving Megumi from Kanryu, and facing Jin-e, and even a little of Kenshin's past as Hitokiri Battousai. Of course there were plenty of differences from the story as portions of the plot from the first 20 or so episodes were woven together, but these were blended very nicely and were mostly pleasing changes. They even found ways to include Hajime Saitou, who was barely involved in this portion of the original story (Originally he made his very first minor appearance during the portion with Udou Jin-e, but in this he plays a minor role throughout). The screenplay was rather brilliant, the fights exciting and well choreographed and managed to look realistic while still retaining all the classic elements of Kenshin's Hiten Mitsurugi style (Along with the weapons and styles of the other characters, with one notable exception). The attention to detail was great throughout, from the appearance of Kenshin's outfit to Sano's giant Zanbatou sword and even Kanryu's classic underbite. The sets and locations had classic elements of Kenshin while looking much more historically accurate than the original. Even many of the famous (and lesser) lines of the series were retained (and delivered convincingly). The movie had plenty of inside jokes and nods to Nobuhiro's writing, but should still be understandable to an outsider with no knowledge of the series (I'll be testing that with a relative in a few weeks).
I only had a few complaints on the entire production, and they generally revolved around 2 characters in particular. The first is Hajime Saitou, whom as I said wasn't involved in this part of the story but plays the role of police investigator. I have no complaints with his general portrayal, and his role was relatively minor (as it should be at this point), however I don't entirely approve of his one moment of significant involvement in the movie. So as not to give away the plot, I will simply say he uses his signature move (the gatotsu) in a somewhat unexpected way to resolve a certain situation which, in the original story, was resolved very differently. Additionally, after this particular opponent was defeated Saitou sends Kenshin and Sano on ahead to rescue others, leaving Saitou alone with the enemy. In every instance this occurred in the manga/anime, it resulted in Saitou following the Shinsengumi code of "Aku, soku, zan" (Swift Death to Evil) and executing the low life on the spot. In the movie the scene shifts away as Kenshin and Sano depart, and when it eventually shifts back to the mansion you find Saitou taking the criminal into custody, very much alive.
The other complaint I have is about the last bodyguard of Takeda Kanryu, whom I assume to be Hanyu of the Oniwabanshu though the character seems to be some melding of Hanyu and Aoshi. This was initially very concerning as I thought they had completely thrown out Shinomori Aoshi and replaced him with this gunslinger ninja (who wore Hanyu's mask, but despite the scars looked far more handsome under the mask than Hanyu did). Upon reading the wiki and learning that two more Kenshin movies are in production, I've learned that someone has been casted as Shinomori Aoshi, so the character Kenshin fights in the mansion is either Hanyu or some new character, though I'm still fairly certain he is an Oniwabanshu member. The members and fate of the Oniwabanshu in Takeda Kanryu's mansion are drastically different here, though I largely don't mind this except for the gunslinging portion of the fight between "Hanyu" and Kenshin. This seemed like the one large break from the semi-historical realism of the movie. As a practicioner of Togakure ryu Ninjutsu I am well aware of the ninja's famous use of gunpowder and even early firearms, but these dual semi-automatic firearms were far too fast firing and accurate (not to mention with far too many rounds) for the era. Of course the original Kenshin had a number of elements that broke historical realism, but these just seemed too much out of place and the whole character looked like something out of Devil May Cry or some such.
Still, overall this was a good movie and my complaints are rather minor. I would certainly recommend this movie to anyone who is a fan of Kenshin, anime in general, or samurai dramas. Note that in it's current format it is in Japanese with (good) English subtitles, just the way I prefer it. I don't recall any moment where the subtitles move too fast (While I read them fast, I often watch subbed anime with people who read far more slowly so I keep an eye out for this). And yes, Kenshin does speak in his kansai dialect and does a great job portraying the split in personalities between Hitokiri Battousai and Himura Kenshin.
And that's all for Otakon 2013. I will definitely be back next year, and I've got plans to do a lot more in 2014 as well (hopefully a costume, an audition for Otaku Idol, and I really, really need to meet up with the people I know beforehand so I don't have so much trouble finding them). Next up for me is Intervention August 23-25. It will be my first time going so I have no idea what to expect, but I'm sure I'll have fun no matter what.
Ja mata ne